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000-048 Rhapsody in C++

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000-048 exam Dumps Source : Rhapsody in C++

Test Code : 000-048
Test designation : Rhapsody in C++
Vendor designation : IBM
real questions : 70 actual Questions

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IBM Rhapsody in C

Cloud Infrastructure Automation Startup Opscode Lands $19.5M To tackle IBM, HP And BMC | killexams.com actual Questions and Pass4sure dumps

Opscode, a company that gives cloud infrastructure automation for the business, has raised $19.5 Million in sequence C funding led through Ignition partners, with Battery Ventures and Draper Fisher Jurvetson participating within the round. The traffic furthermore these days introduced that Ignition partners’ John Connors has joined Opscode’s Board of administrators. This newest funding brings Opscode’s total funding to $33 million.

Opscode provides companies the means to enhance fully automated server infrastructures that scale in the cloud or in the back of the firewall. truly, the enterprise’s offering permits builders and engineers to profile what infrastructure they are looking to construct after which manage these involved methods in a couple of environments.

Opscode’s application, Chef, is an open-source methods integration framework built specificallyfor automating the cloud. Mitch Hill, CEO of Opscode, says Chef makes it facile to set up servers and scale applications within infrastructure. The enterprise furthermore presents a version of Chef for private clouds, which Hill says has been receiving a lot of consideration from the commercial enterprise.

as an example, track carrier Rhapsody uses Opscode within the cloud. And Ancestry.com uses the providing to augment at the back of the firewall. Hill says that the traffic exceptionally faces competition from historic faculty tackle managements functions offered via IBM, HP, and BMC, which were developed a couple of years in the past. Hill maintains that Opscode’s Chef works with the cloud, and is in a position to abruptly set up adjustments, whereas additionally promising scalability.

presently, Opscode has tons of of paying customers, and lots of users (some are the employ of the carrier for gratis).

The financing circular, which turned into oversubscribed, can exist used towards constructing the business’s software engineering, earnings, advertising and marketing and traffic construction teams.


McObject Expands in South Korea with Dahan Tech as unusual Distributor | killexams.com actual Questions and Pass4sure dumps

Dahan Tech, a utility company in South Korea specializing in embedded systems and electronic design automation (EDA) technology, has become the most up-to-date distributor for the eXtremeDB(tm) actual-time embedded database and Perst(tm) open source, object-oriented embedded database from McObject(r), the two organizations announced. Dahan Tech will immediately start advertising, income and usher of McObject's software.

Dahan Tech, a utility difficult in South Korea focusing on embedded methods and digital design automation (EDA) expertise, has become the most up-to-date distributor for the eXtremeDB™ actual-time embedded database and Perst™ open source, object-oriented embedded database from McObject®, both corporations introduced. Dahan Tech will automatically start marketing, earnings and uphold of McObject’s utility.

the unusual partnership is especially promising as a result of Dahan Tech’s and McObject’s goal markets enormously overlap. McObject’s database systems are designed to achieve the performance and minute code footprint required in purchaser electronics, which is an incredible traffic in South Korea. And each agencies supply key construction solutions for military, aerospace and different safety-important purposes, in response to Dahan Tech habitual supervisor Hyunseok Min.

“methods in these fields are experiencing significant growth in the dimension and complexity of kept data. developers are trying to find database technology that offers more desirable pace, reliability and progress ease compared to ‘homegrown’ options, together with minimal reminiscence and CPU calls for,” Min observed.

“eXtremeDB offers a very worthy tune record of assembly these wants. For armed forces and aerospace methods, the eXtremeDB excessive Availability edition presents confirmed frailty tolerance. eXtremeDB’s developer tackle – chiefly its enthralling type-safe API, which prevents essentially the most habitual oversight from making it into run-time code – are brilliant to groups that requisite an additional margin of security in their functions,” Min stated.

Dahan Tech is additionally an incredible Korea reseller of IBM Rational’s (previously Telelogic’s) Rhapsody in C (UML)-primarily based mannequin-pushed structure (MDD) environment. McObject provides an eXtremeDB plug-in for Rhapsody in C that allows sooner time-to-market of excessive satisfactory embedded software applications that require embedded data administration.

“we've seen huge market pastime in McObject’s eXtremeDB/Rhapsody integration, from IBM Rational valued clientele who contemplate the expense in a lone device set that allows for them to visually mannequin their utility or gadget, access eXtremeDB’s utility programming interfaces and generate code that interacts with the database from within Rhapsody,” Min talked about.

Dahan Tech valued clientele encompass KAI (Korea Aerospace business), Samsung Thales, and Korea’s ADD (company of defense department). The traffic furthermore serves developers in Korea’s becoming client electronics trade. to fill purchasers’ facts administration wants, Dahan Tech will provide connected consulting, working towards and integration capabilities besides the eXtremeDB expertise.

“As McObject expands its Asia Pacific operation, South Korea represents a key embedded technology market. throughout the growth of its company, Dahan Tech has validated that it is close with the businesses in this box, their technical challenges and their needs in a software solution company. they are very assured that Dahan Tech and McObject will effectively construct market participate in Korea together,” stated Chris Mureen, McObject’s chief working officer.

About Dahan Tech

Dahan Tech is a software distributor that specialize in embedded utility, which has emerged as predominant boom occasion in Korea. on account that its inception in October 1998, the traffic has grown its offerings in EDA, embedded systems, mathematical and scientific solutions, while organising an exceptional utility distribution community. The business's leadership in its market segments outcomes from providing competitive product offerings, positive advertising, and seamless technical competencies. Dahan Tech is dedicated to enjoying a pioneering position in market structure and expertise innovation, which enables it to fulfill the ever-changing requirements of both conclusion-user valued clientele and company companions. For more suggestions contemplate www.dahan.co.kr.

About McObject

established by using embedded database and precise-time methods specialists, McObject presents proven statistics administration expertise that makes precise-time programs smarter, extra legit and more reasonably-priced to advance and maintain. McObject counts amongst its purchasers industry leaders equivalent to Chrysler, Lockheed Martin, Siemens, Phillips, EADS, JVC, Tyco Thermal Controls, F5 Networks, DIRECTV, CA, Motorola and Boeing. McObject, primarily based in Issaquah, WA, is committed to offering inventive expertise and first-rate capabilities to valued clientele and companions. The enterprise can furthermore exist reached at +1-425-888-8505, or consult with www.mcobject.com.

McObject and eXtremeDB are emblems or registered trademarks of McObject LLC. everysingle other traffic or product names outlined herein are trademarks or registered trademarks of their respective house owners.


Yellow container, Blue container, Rhapsody & WWDC | killexams.com actual Questions and Pass4sure dumps

each year, Apple puts on the global developers convention (WWDC), a pricey technical get-collectively for serious Macintosh programmers. not relish trade shows similar to Macworld Expo, WWDC isn’t replete of lots of of vendors; bag-carrying, button-clad attendees; and degrees awash with entrepreneurs, headset microphones, and lots of styling gel. as a substitute, WWDC is a haphazard for programmers to learn about Apple’s future applied sciences and directions, query questions, and let Apple comprehend what they’re thinking. developers are Apple’s toughest viewers – they’re least likely to exist influenced through promises, and most likely to require tangible proof of claims. WWDC is never effortless from Apple’s component of view.

What’s greater, Apple hasn’t had a superb year. within the wake of Apple’s fiscal troubles and the acquisition of subsequent, hypothesis changed into excessive and expectations had been low for this yr’s WWDC. nobody knew what Apple would carry to the table, and a lot of builders hold had their faith shaken with the aid of Apple’s fresh layoffs, expertise freezes, and the ascendence of next executives who issue to hold the portion of the Macintosh in their palms.

Rhapsody & Yellow box — One factor each person at WWDC desired to peer and hear about changed into Rhapsody, Apple’s coming near near working tackle based in allotment on technologies obtained from next. Apple delivered on that expectation, surprising many attendees with demos of the Yellow container, the ambiance derived from OpenStep in order to occupy core stage below Rhapsody. The Yellow container became proven on each PowerPC and Intel hardware together with an Intel demo of the shoot-em-up online game Quake (writing to the Yellow container’s panoply PostScript while playing movies in the historical past), plus PowerPC demos of QuickDraw 3D and a commercial utility from Stone Design ported from OpenStep in just a number of days. Apple desired to prove one factor: they'd working code, now not just guarantees. The Unix command line become furthermore viewed (to hisses from some attendees), however Apple stressed out it should exist hidden in Rhapsody’s Unified free up, obtainable best if users covet it. The Yellow box interface became described as a piece in progress, however already bears some resemblance to the Mac.

however the Yellow container derives directly from OpenStep and includes next standbys relish monitor PostScript and Unicode conversion, Apple plans so as to add a couple of Macintosh technologies, including the QuickTime Media Layer (QTML), QuickTime VR, QuickDraw 3D, ColorSync, QuickDraw GX typography, and the V-Twin text indexing engine (on which Apple e.g. is based mostly). although it’s too early to inform what this capability, Apple furthermore referred to everysingle functions built for the Yellow container can hold some scriptability, and Yellow box scripting could exist carried so far as feasible toward AppleScript. The Yellow container will additionally comprise next’s tons-touted WebObjects FrameWorks and Java.

Apple demonstrated it plans to ship a edition of Rhapsody for computer systems in keeping with Intel chips; youngsters (and this was arguably the massive announcement for WWDC), Apple additionally introduced it is going to ship a version of the Yellow container for Mac OS.

To recollect this, deem of the Yellow container as an utility atmosphere, relish its predecessor OpenStep, as opposed to as a allotment of Rhapsody’s greater working device. Yellow boxes for Intel and Mac OS would in conception originate the Yellow box the highest trait alternative for cross-platform building, as a result of builders might carry functions that elope on Rhapsody (both PowerPC and Intel), Mac OS, windows NT, and windows 95 – everysingle using tackle derived from subsequent’s highly considered, object-oriented construction ambiance. in response to Apple, an utility written for the Yellow domain can easily exist recompiled for a unique platform, and even shipped as a single, great file containing executable code for diverse structures. (Aladdin’s Leonard Rosenthol referred to these courses as "obese binaries.") To hammer domestic the thought, Apple furthermore introduced no-payment licensing of the expertise that allows for the Yellow box to elope on precise of windows, so deploying Yellow box applications for windows won’t cost builders extra.

A edition of the Yellow container for the Mac OS is additionally an exciting carrot for some developers. In thought, this would allow clients working nowadays’s Mac OS (or future models, reminiscent of Mac OS eight or Allegro) to elope Yellow container applications without switching over to Rhapsody. however no schedule became given and there are severe questions about what subset of the Yellow box may furthermore exist supported under Mac OS (threading became mentioned as a major subject, and symmetric multiprocessing is reform out), the means to elope some Yellow domain functions beneath Mac OS might furthermore uphold alleviate transition fears and provides Yellow box applications a much broader market.

Rhapsody & Blue container — Apple additionally confirmed Rhapsody’s Blue container working a beta of Mac OS 8, and hosted palms-on labs where builders might elope Mac OS classes beneath Rhapsody’s Blue box. in response to Apple, only five of about 500 classes tested within the WWDC labs failed due to oversight with the Blue field.

The Blue container is practically a Yellow box application designed to elope below Rhapsody for PowerPC. (Rhapsody for Intel will no longer encompass the Blue field.) The Blue box makes employ of a Mac ROM photograph to elope the Mac OS unmodified, so clients can elope unaltered Mac OS functions and device enhancements with plenty extra compatibility than Copland would hold supplied. The Blue container should still inherit advantages from Rhapsody, together with better virtual recollection and i/O improvements. although Mac purposes will now not acquire sever included memory, crashing the Blue box will not select down Rhapsody. although, as an software, the Blue container will elope in its own window, and Mac purposes will no longer select a seat in the identical screen house as Yellow domain purposes. Blue container courses can exist able to talk with the Yellow container by means of Apple hobbies and greater proper mechanisms relish the clipboard, but there will exist a difficult line between the Mac OS and the Yellow field. The Blue domain might exist capable of elope in a full-reveal mode (and Apple reps cited this protected everysingle displays), but I even hold the affect the employ of the Blue box might exist relish peering through a magnifying glass at your historic Macintosh.

Java — everysingle the pass through the WWDC keynote, unusual Senior VP of utility Engineering Avie Tevanian called Java Apple’s greatest chance. It’s no longer pellucid what number of Apple builders participate that opinion, however Apple proved it can originate grandiose statements about Java as neatly because the subsequent utility business, announcing succor for the Java basis courses below progress through solar, Netscape, and IBM, and simultaneously announcing Java would hold replete access to Yellow container APIs, thereby making it feasible to Put in writing Yellow domain applications without resorting to purpose C or other programming languages. despite the fact Apple wired its dedication to "100% pure Java," it additionally wired entry to the Yellow container would enable builders to set up best-of-category Java functions, which sounds similar to what Microsoft tells builders about its competing software foundation classes for Java.

The Rhapsody agenda — at present, the Rhapsody time table requires a developer release in mid-1997 (without a Blue box, and doubtless most efficacious supporting energy Mac 8500/8600 machines), a optimum unlock for early adopters in early 1998 with some Blue domain capability for PowerPC, and a Unified release for conventional clients in mid-1998 with replete Blue domain potential for PowerPC. Apple plans to ship customer and server versions of Rhapsody and has brought up that the Unified unlock will drudgery on these days’s PowerPC-based Macs and Mac clones.

The Spin — There’s no doubt that Rhapsody’s talents is compelling. builders and convention attendees I spoke with hold been generally stunned with Apple’s progress up to now, despite the fact opinions differed radically as to whether Apple might carry on its bold time table. For some developers, Rhapsody is without rigor too late: they mandatory ripen go-platform structure tools over a year in the past, no longer a plight they’ll exist attainable a 12 months from now. in spite of this, some developers appeared enormously energized by means of Apple’s plans, together with some makers of low-stage tools and utilities for whom Rhapsody is a giant technical challenge.

youngsters, the gulf between subsequent and Apple cultures remains obvious. Steve Jobs managed to insult or offend many Mac builders in his WWDC fireplace chat, and coffee comments from former next employees everysingle through WWDC sessions highlighted the ameliorations. here's an over-generalization, but next purchasers are inclined to contend with excessive-conclusion, commonly corporate environments with ample bandwidth and CPU materials, whereas Mac consumers are possessive about their machines and are more likely to consider about sharing a lone CD-ROM drive across a high college’s LocalTalk network. whether a match medium can exist carried out in both Apple’s software engineering groups or Rhapsody continues to exist to exist seen.

For greater details and announcements from WWDC, investigate Apple’s Developer World site; WWDC Webcasts are available unless 31-may additionally-97. John Norstad has furthermore posted stunning notes on Rhapsody according to what he discovered at WWDC.

<http://devworld.apple.com/><http://charlotte.acns.nwu.edu/jln/wwdc97.html>


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Rhapsody in C

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‘Bohemian Rhapsody,’ ‘Marvelous Mrs. Maisel’ Among Cinema Audio Society Winners | killexams.com actual questions and Pass4sure dumps

Queen biopic “Bohemian Rhapsody” won the Cinema Audio Society’s top prize for sound mixing at Saturday night’s 55th annual CAS Awards. The film is Oscar-nominated for sound mixing this year along with “Black Panther,” “First Man,” “Roma” and “A Star Is Born.”

In a astound over heavy-hitters “Incredibles 2” and “Spider-Man: Into the Spider-Verse,” Wes Anderson’s “Isle of Dogs” won the animated prize. “Free Solo” reigned in the documentary field.

TV winners included “The Marvelous Mrs. Maisel,” “Mozart in the Jungle,” “The Assassination of Gianni Versace: American Crime Story” and “Anthony Bourdain: Parts Unknown.”

Three-time CAS award-winner Mary Jo Lang (“Frozen,” “Big Hero 6,” “Inside Out”) received the President’s Award, while Oscar-winning production mixer Lee Orloff (“Terminator 2: Judgment Day,” “The Abyss,” “The Insider”) was honored with career achievement recognition.

Steven Spielberg received the organization’s Filmmaker Award. Seven of the director’s films hold been nominated by the Cinema Audio Society: “Jurassic Park,” “Schindler’s List,” “Saving Private Ryan,” “Catch Me If You Can,” “War of the Worlds,” “Lincoln” and “Bridge of Spies.” “Saving Private Ryan” won in 1999.

Related Steven Spielberg55th Annual CAS Awards, Inside,

See below for this year’s replete set of CAS winners.

MOTION PICTURE – LIVE ACTION

“Bohemian Rhapsody”Production Mixer: John CasaliRe-recording Mixer: Paul MasseyRe-recording Mixer: Tim CavaginRe-recording Mixer: Niv Adiri, CASADR Mixer: Mike TehraniFoley Mixer: Glen GathardFoley Mixer: Jemma Riley Tolch

MOTION PICTURE – ANIMATED

“Isle of Dogs”Original Dialogue Mixer: Darrin MooreRe-recording Mixer: Christopher ScarabosioRe-recording Mixer: Wayne LemmerScoring Mixer: Xavier ForcioliScoring Mixer: Simon RhodesFoley Mixer: Peter Persaud, CAS

MOTION PICTURE – DOCUMENTARY

“Free Solo”Production Mixer: Jim HurstRe-recording Mixer: Tom Fleischman, CASRe-recording Mixer: Ric SchnuppScoring Mixer: Tyson LozenskyADR Mixer: David BoultonFoley Mixer: Joana Niza Braga

TELEVISION sequence – 1 HOUR

“The Marvelous Mrs. Maisel” – “Vote for Kennedy, Vote for Kennedy”Production Mixer: Mathew Price, CASRe-recording Mixer: Ron Bochar, CASRe-recording Mixer: Michael Miller, CASScoring Mixer: Stewart LermanADR Mixer: David BoultonFoley Mixer: Steven Visscher

TELEVISION sequence – 1/2 HOUR

“Mozart in the Jungle” – “Domo Arigato”Production Mixer: Ryotaro HaradaRe-recording Mixer: Andy D’AddarioRe-recording Mixer: Chris Jacobson, CASADR Mixer: Patrick ChristensenFoley Mixer: Gary DeLeone

TELEVISION MOVIE or LIMITED SERIES

“The Assassination of Gianni Versace: American Crime Story” – “Part 1: The Man Who Would exist Vogue”Production Mixer: John Bauman, CASRe-recording Mixer: Joe Earle, CASRe-recording Mixer: Doug Andham, CASADR Mixer: Judah Getz, CASFoley Mixer: Arno Stephanian

TELEVISION NON-FICTION, VARIETY or MUSIC sequence or SPECIALS

“Anthony Bourdain: Parts Unknown” – “Bhutan”Re-Recording Mixer: Benny Mouthon, CAS

OUTSTANDING PRODUCT – PRODUCTION

Dan Dugan Sound Design: Dugan Automixing in Sound Devices 633 Compact Mixer

OUTSTANDING PRODUCT – POST PRODUCTION

iZotope, Inc.: RX 7

CAS STUDENT RECOGNITION AWARD

Anna Wozniewicz (Chapman University – Orange, CA)


Sing street: Music pics 'Bohemian Rhapsody' and 'Star is Born' lead releases this week | killexams.com actual questions and Pass4sure dumps

Just in time before the Academy Awards, studios release the favorite hits of 2018, Bohemian Rhapsody and A Star Is Born, on HD disc. Tune in.

Bohemian Rhapsody

4 of 5 stars

Rated R, 96 minutes.

Available today on 4K Ultra HD, Blu-ray and DVD. Now available on Digital HD.

Rami Malek plays Freddie Mercury in "Bohemian Rhapsody." 

Twentieth Century Fox

Bohemian Rhapsody isn’t a cradle-to-the-grave character of biopic. It doesn’t retract through every section of the troupe Queen’s Wikipedia index. It may cover a 17- to 18-year epoch in the life of Freddie Mercury (portrayed by the soon-to-be Oscar-winner Rami Malek) and his bandmates (a terrific Gwilym Lee as Brian May, Joseph Mazzello as John Deacon and Ben Hardy as Roger Taylor), but it’s just as much about Queen’s 1985 performance at Live Aid — a global charity event that is recognized as one of the best, if not the best, rock performances of everysingle time.

The film admittedly mirrors many narrative structures of other musical biopics (all the notes the 2007 comedy Walk difficult poked fun at). However, there’s an controversy that many rockers’ lives everysingle ensue the same path, starting from being an everyday person trying to originate ends meet, finding love and success, struggling to maintain that love and success, and learning a valuable lesson by the end.

Bohemian Rhapsody finds a nice middle ground between being an unabashed and safe depiction of Queen. It could hold dabbled more into the meaty contents of the troupe and Mercury’s life, but there’s enough here to sing about.

Gwilym Lee, from left, Rami Malek and Joe Mazzello portray the troupe Queen in “Bohemian Rhapsody.”

Twentieth Century Fox

Extras: The 4K Ultra HD release looks about as impeccable as you could hope. everysingle the vivid lights and inviting colors really pop on screen, especially when Mercury is strutting around the stage in a leotard.

The Live Aid performance at the proximate is especially magnetic to watch in 4K. The pass the camera swoops through Mercury’s legs as he’s playing the piano and zooms in on Brian May’s guitar — you just can’t top those visuals. And what’s even cooler is the special features comprise the replete recreated Live Aid concert. They only dropped two tracks from the final film, but this replete performance flows very well and functions as its own movie. I would hold loved to hold seen more side-by-side comparisons to the original concert, relish they did in the marketing of the home release. It truly seems relish Malek studied Mercury’s every move. But I’m certain some YouTuber will conclude a side-by-side in the future.

In addition, there are two featurettes. One breaks down Malek’s approach to Mercury and how vital it was to capture his spirit. The other provides some insight into the glance and sound of Queen. As much as you may hold wanted a featurette or a commentary that tells you which scenes were shot by disgraced director Bryan Singer, cinematographer Newton Thomas Sigel and polishing director Dexter Fletcher, these premium features play it safe. Perhaps one day they will acquire everysingle the details, but for now, 20th Century Fox can’t jeopardize its five Oscar nominations.

Embed code for interview: https://youtu.be/tGqQp1Qg0fs

A Star Is Born (★★★ 1/2) I felt relish I was one of the ultimate people to contemplate A Star Is Born. Everybody was telling me why I should contemplate it, and I kept putting it off. But after I saw it a few months ago, I thought the performances were first-rate. Bradley Cooper, Lady Gaga and Sam Elliott everysingle deserve a round of applause. They everysingle Put so much passion into their roles. Whenever Lady Gaga gets on the stage, on the verge of tears, you can contemplate everysingle her throe and frustrations rising to the surface in such a beautiful, poetic way. And, of course, the scene when Sam Elliott backs out of the driveway, it just breaks your heart. There’s so much to love about the film.

Bradley Cooper and Lady Gaga's performances in "A Star is Born" are first-rate. 

Warner Bros.

But the narrative itself has been driven into the ground. To quote my wife: “I could hold written this.” Yes, while you muster everysingle the shots, Bradley Cooper (also the director) finds slight ways to originate the most of each scene. He shoots the film very proximate to the actors’ faces, to give an intimate feel as they watch these performers expose their souls to stadium crowds.

So, relish Bohemian Rhapsody, glance beyond the dialogue and the plot line.

Rated R, 136 minutes.

Extras: The 4K Ultra HD release is one of the best-sounding 4Ks I own. This should exist no astound for a film that features a lot of music, but even the sounds between the music wow. The roar of a crowd, the movement of tackle and the still moments between their two leads — they originate for a must-own 4K purchase. It’s always nice when you don’t hold to mess with your remote to eddy up or eddy down different parts of the film.

And it should retract without saying that the picture trait solidifies it. The stage lighting and Lady Gaga’s presence (costumes, hair and all) really boom.

In terms on premium content, it’s naturally very weighty on the music side. There are loads of music videos and extended performances from the film. The best supplement is the making-of. It features Cooper, Gaga and others talking in a roundtable-type setting, with clips and B-roll thrown in. You acquire a profound understanding of everyone’s perspective and how they poured their hearts into their individual roles on both sides of the camera.

Overlord (★★★) Everything about the J.J. Abrams-produced Overlord has the potential to originate it one of the wildest genre creations to hit the screen. On the surface, it appears to exist a cinematic Frankenstein, taking the horrors of war and stitching them together with the concept of Re-Animator — a 1985 B-movie about a syringe with the power to reanimate the dead. And as fun as Overlord can exist at times, you can feel the thread holding these ideas together fraying as it plays it too safe.

"Overlord" had the potential to exist one of the wildest genre creations on screen. Instead, it plays it safe. 

Fantastic Fest

In film, a group of American soldiers (Jovan Adepo, Wyatt Russell, John Magaro and Iain De Caestecker) find themselves far behind enemy lines in Nazi-occupied France before the infamous D-Day. Instead of being a routine World War II feature, they acquire a film where their American soldiers are sloshing around in a bloodbath involving Nazi experiments and mutant zombie members of the Third Reich.

It’s a genius idea, really. There are so many messed-up places you can steer this story. And the pass the film kicks off is promising: Americans are about to drop into France from a transport glider. They acquire those brutal moments where soldiers are being blown to bits left and right, capturing the actual terror of war in the same mode Steven Spielberg did in Saving Private Ryan’s opening.

And how Overlord looks in its 4K presentation is spectacular. It truly grabs hold of you perquisite away and proves itself to exist one of the most exciting films to watch in 4K. The gunshots sound lived-in, and the pass the camera moves around its setting and how the scenes are edited together are meant for the high-quality format. Crank up the sound and let it drop you into the character’s situation!

While I wish Overlord leaned more into its crazy ideas — and didn’t hold a third act that felt relish two video game characters duking it out — it remains one of the more entertaining features from ultimate year. The narrative may not leave teeth marks, but how 4K presents it will.

Rated R, 109 minutes.

Extras: The 4K Ultra HD release comes with beautifully simplistic cover designs, featuring blood splatters in the shape of soldiers parachuting down to their drop zone. The regular Blu-ray is quite ugly and overdone, so if shelf presentation is vital to you, the 4K upgrade is the pass to go. There are no additional special features on the 4K disc, but the Blu-ray (which furthermore comes with the 4K release) includes a slight over a handful of featurettes that walk us through its ideas from start to finish. They start with J.J. Abrams’ involvement, how the narrative came to exist and what excited each person about the project, and then they jump into the difficulties of inescapable scenes (particularly the opening scene, which involved a huge gimbal and special/visual effects to capture the horrors of war) and creating characters that they can feel for.

Rated R, 94 minutes.

The recrudesce of the Vampire (★★★ 1/2) Believe it or not, classic black-and-white movies are among my favorite to review, because more often than not they arrive loaded with historical information that fascinates for days. And shriek Factory’s release of 1943’s The recrudesce of the Vampire does just that. It’s the unofficial sequel to the 1931 classic Dracula, in which Bela Lugosi stars as a 200-year-old Hungarian vampire named Armand Tesla.

Return of the Vampire weaves in real-life events that were happening at the time of its release, making the film super fascinating to watch unfold today. They retract from seeing Tesla prowling the English countryside, drinking the blood from villagers’ necks, to seeing him defeated by a pair of scientists (Frieda Inescort and Roland Varno) who drive a railroad spike through his heart. But hold no fear, because he’s awakened two decades later after a Nazi bomb releases him — a nice touch. And now, he’s out for revenge.

Bela Lugosi carve a classic vampire design in the 1931 horror film "Dracula."

Scream Factory

So, with because the movie released 76 years ago, the narrative is not extraordinary, stealing many ingredients from other Dracula films. But to contemplate the master at work, Lugosi creeping with his hand dangling and speaking in his spooky accent, it’s frightening. There’s a judgement why he’s a legend and recrudesce of the Vampire just may exist his second-best outing as a vampiric character on film. (Trivia: He played Dracula on stage many times, even while he was filming this movie.)

Scream Factory’s restoration looks stunning in black-and-white, especially when Tesla is brought back to life and a dense fog carries over the graveyard. It’s got everysingle those classic monster movie moments — and film historians relish Lee Gambin, Gary Don Rhodes and Troy Howarth everysingle provide their own audio commentary about these moments and Lugosi’s history of playing a vampire. It’s essentially a master class in classic horror.

The best allotment of the film and these historians’ statements is the inclusion of Tesla’s werewolf servant, Andreas Obry (Matt Willis). The inner conflict of Obry deciding whether to serve his master or rid him of evil to succor the film’s heroine is peak entertainment.

Not rated, 70 minutes.

Extras: The shriek Factory release (available through shoutfactory.com/shop) includes the three aforementioned audio commentaries, a theatrical trailer and a still gallery.

Youngblood (★★★) In many ways, 1986 hockey film Youngblood, starring Rob Lowe and Patrick Swayze, is your typical sports movie. If you hold never seen it before, it may remind you of such titles as recollect the Titans, in which players butt heads, they slowly become friends, a romance enters the picture, something theatrical happens, and may the best team win the championship in the end. You could write this movie yourself, a lot relish A Star Is Born. However, that doesn’t carryweight it doesn’t hold charm or value, because it certainly does. So, worthy on Kino Lorber for reintroducing this film to the masses by restoring it on Blu-ray.

Personally, I am a sucker for ’80s movies. Many aren’t as timeless or as worthy as you may remember. (Have you watched Sixteen Candles recently? Yikes!) In Youngblood, the vet players on the team, of course, haze the puerile bloods (also Lowe’s character’s on-the-nose ultimate name), and many of them are quite cruel. retract figure. I can contemplate people in this sensitive age losing their wintry if it were released in theaters today. It even has that “wrong kid died” kind of vibe (another Walk difficult reference) between on-screen brothers Dean (Lowe) and Kelly (Jim Youngs).

Despite how silly and melodramatic it can get, Youngblood is solid sports film, filled with ’80s music and sports montages to hype you up.

Rated R, 110 minutes.

Extras: The Kino Lorber release (available for purchase through kinolorber.com) sports a snazzy sketch glance on the cover design (featuring Lowe, Swayze and Cynthia Gibb), an audio commentary with director Peter Markle and a theatrical trailer.

Also available this week: Color Me Blood Red (1965, an Arrow Video release); Doctor Who: Resolution; La vérité (1960, a Criterion Collection release); Robin Hood (2018); So dusky the Night (1946, an Arrow Academy release); and Year of the Dragon (1986, a Warner Archive Collection release).


Panic! at the Disco in peak shape during fast-moving prove at Enterprise seat | killexams.com actual questions and Pass4sure dumps

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Nicole Row performs with Panic! At the Disco at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Nicole Row performs with Panic! At the Disco at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Zach Hansen (left) and Kassia Meyer, both of Chesterfield, before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Jacob Maskel (left) and Willow Ray, both of Georgetown, Ill., before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

From the left, Ashten Barnett, of Wayne City, Ill., and Austin Dillman, of Mount Vernon, Ill., before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Stephanie Hironimus (left) and Taylor McAmis, both of Columbia, Mo., before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Photo by Jon Gitchoff Panic! At the Disco at Enterprise Center

Vanessa Hartwick (left) and Lyse Mayberry, both of St. Louis, before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Brittany Harrell (left) and Alyssa Duncan, both of O'Fallon, Mo., before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Betty Who performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Two Feet performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Kelby Miller (left) and Addy Price, both of Louisville, Ky., before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

From the left, Haley Nettles, of St. Peters, and Kaylee Trbovich, of O'Fallon, Mo., before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Panic! At the Disco performs for a sold-out press at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Chase Hendriex (left) and Leanna Way, both of Collinsville, before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

From the left, Kyle O'Keefe, of O'Fallon, Mo., Breezy Morgan, of Cedar Hill, Mo., and Brittany Morgan, of O'Fallon, Mo., before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

From the left, Jay Strong, of St. Louis, and Jodi Patterson, of Mascoutah, before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff Panic! At the Disco at Enterprise Center

Katelynn Evans (left) and Kesley Evans, both of St. Peters, before Panic! At the Disco performs at Enterprise seat in St. Louis on Tuesday, Feb. 5, 2019. Photo by Jon Gitchoff

Jon Gitchoff


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